On view through January 27, 2019.
Are you a Museum Members? Teotihuacan opens exclusively to Members on October 5 from 10 am – 6 pm and on October 6 from 10 am – noon!
Explore the original Valley of the Sun in the exhibition «Teotihuacan: City of Water, City of Fire.»
Teotihuacan was the first, largest, and most influential metropolis on the American continent. In its heyday between 100 B.C. and 650 A.D., the city encompassed an area of 20 square kilometers with a population of more than 150,000. Both the inhabitants of Teotihuacan, its original name, and why the city was abandoned around 650 A.D. are still unknown. When the Aztecs, coming from the north in the first half of the 14th century, discovered its abandoned ruins on the Mexican Central Plateau, they named it Teotihuacan, the place where gods were born, and used it as the setting for their own creation myth.
«Teotihuacan: City of Water, City of Fire» is a major traveling exhibition organized by the de Young Museum in San Francisco in collaboration with INAH — the Instituto Nacional de Antropología e Historia (National Institute of Anthropology and History) of Mexico. With more than 250 outstanding objects from the Museo Nacional de Antropología (National Museum of Anthropology) in Mexico City, as well as important objects borrowed from North American institutions, «Teotihuacan: City of Water, City of Fire» will provide a comprehensive insight into the art, everyday life, and religion of Teotihuacan, and its influence on other regions of Mexico.
The exhibition will explore the archaeological history of the city through sculptures, friezes and murals; domestic objects including vessels and figures, stone carvings, masks, statues of gods and representations of animals; and extraordinary objects crafted out of precious materials including jade, obsidian, greenstone, and onyx.
Image: Eccentric, 200–250. Obsidian, 2 5/8 x 15 1/8 x 5/8 in. (6.7 x 38.4 x 1.6 cm). Zona de Monumentos Arqueológicos de Teotihuacán / INAH [Acervo], 10-615741. Photograph by Jorge Pérez de Lara Elías, © INAH.